Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Classical hunting fox, Equestrian and Beautiful Horses, 189.

ID: 46161

unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 189.
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unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 189.


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unknow artist

  Related Paintings of unknow artist :. | Between the confessor and the votes | Seascape, boats, ships and warships. 04 | The Empress Dona Margarita de Austria in Mourning Dress | Classical hunting fox, Equestrian and Beautiful Horses, 138. | Gradual of Vladislaus II |
Related Artists:
Edward Bower
floruit 1635-1667
CECCO DEL CARAVAGGIO
Italian Baroque Era Painter, active ca.1610-1620 Painter active in Italy. His nationality is not known. He was a follower of Caravaggio, and his rare works reveal a highly original and idiosyncratic response to that artist's naturalism. Agostino Tassi mentioned him as involved, with several French artists, in the decoration of the Villa Lante at Bagnaia between 1613 and 1615,
Giuseppe Canella
(28 July 1788 - 11 September 1847), also referred to as Giuseppe Canella the Elder, was an Italian painter. Initially trained by his father Giovanni, an architect, fresco painter and set designer, Giuseppe Canella started out producing stage sets and decorating stately homes in Verona and Mantua. It may have been under the influence of Pietro Ronzoni, a landscape painter of international renown active in Verona, that he took up landscape. The first views were not produced until 1815, after a short stay in Venice. After making his debut at the Esposizione di Belle Arti di Brera of 1818, he made a long journey through Spain, the Netherlands and France for study purposes. The set of 13 landscapes shown at the Esposizione di Belle Arti di Brera in 1831 proved a great success with the public and critics alike, not least due to the fame achieved in Paris with works exhibited in the Salons, commissions from Louis Philippe of Orleans and the award of a gold medal in 1830. He returned to Milan in 1832 and devoted his energies to urban views characterised by an interest in the events of contemporary life and an atmospheric form of portrayal in evident competition with Giovanni Migliara. Landscape came to predominate as from 1835 with subjects drawn from the Lombard countryside and lakes. The focus on poor and humble aspects of life formed part of the artistes fundamental naturalism and coincided with a moralistic approach derived from the novelist Alessandro Manzoni. Crucial importance attaches in the artistes mature period to his trip to Rome and Naples in 1838-39.






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